The empty concrete Essay Example For Students

The empty concrete Essay Throughout the adventures of Concrete there are many times where he shows his loneliness in a story. The one story that I find this most evident in is â€Å"next Best†. In this story Concrete goes through a number of let downs during the course of his day. The story starts off with Concrete having a surreal dream, a fantasy of Maureen and him being together. He admits his love to her. He is transformed into a human being by a god like structure that I believe was the Senator. Setting him free. He has always wanted to be close with Maureen. The dream ends when Tripod, his dog wakes him up to his empty, messy apartment so that he can feed him in the morning. A knock at the door brings Maureen into the story. Strangely enough she has her own keys to the door. Concrete questions her on why she didn’t use her set of keys and she gets around it by saying she lost them, not really giving Concrete a straight answer to his question. Concrete has a seemingly good idea about maybe him and Maureen going to the zoo. He wants to spend time with her. She, like always, can’t spare the time to spend with him. She has something of more importance to tend to. Maureen declines due to a paper she says she has to finish. Maureen usually doesn’t like to get into conversation with Concrete. When ever he tries to talk to her on a normal level she changes the subject, talking about test that need to be done to him and questions him on how his health has been, ignoring him really and not listening to what he is saying. We will write a custom essay on The empty concrete specifically for you for only $16.38 $13.9/page Order now Concrete calls Larry to see if he would like to work some idea’s out for an essay he’s writing. Unfortunately for Concrete Larry has a woman over and says that for him to do anything is not convenient at the time and keeps the conversation short and gets off the phone. Just another let down for Concrete. The phone rings and on the phone is Senator Douglas. Concrete’s spirits have lifted a little now that he is talking to him. He calls to discuss the ideas that Concrete had in the letter he wrote to the Senator. To Concrete’s disappointment the Senator doesn’t want Concrete for anything other than the ideas that he has already given him. Not only that but the Senator goes on talking about how when Concrete left his job as a speechwriter he found another speechwriter that is â€Å"just fantastic†. All these let downs. Then on pg. 82 Maureen comes back. I think her just coming back into the house makes Concrete think that maybe she has changed h er mind. She had left her keys on the table that was all it was. Once again we see Concrete all alone. With nothing left to do Concrete starts responding to some of his letters. He comes across one that as he reads it starts to sound better and better. It starts out as an almost a cry for help. The writer of the letter compliments him on all his fine doings. Complimenting him on how great a citizen and role model he is. Building him up towards asking him for a favor. The writer insults Concrete by asking him for a visit to their neighbor to strike fear in him to get the man’s dog to stop going the bathroom on their lawn. This may have some connection though with his dog in the beginning when he gets a letter from his neighbor about Tripod having a problem going to the bathroom on their lawn. In the end of the story he is left alone with Tripod, the only one that was there for him trough out the day. Concrete seems happy with this though. In conclusion the beginning of the story where Concrete dreams the fantasies of being human and getting together with Maureen is just an examp le of how much he is in need to be set free from his concrete life. The loneliness, the emptiness, all the letdowns, made of concrete but how much beating on can Concrete take?Bibliography:not needed

Pompeii essays

Pompeii essays Pompeii Pompeii was an exciting town of 20,000 inhabitants, sitting barely a mile away from the foot of Mt Vesuvius. After the eruption of Vesuvius, Pompeii was buried beneath 15 feet of pumice and ash. This helped to preserve the remains of Pompeii over the years. The excavations by Al-Cubierr, Winkelmann and Fiorelli proved that Pompeiis citizens lead a social, political and economical lifestyle. 19th century archaeologist Giuseppe Fiorelli introduced some of the highest standards of excavation at Pompeii. He invented the plaster cast technique for reconstructing the buried victims of Pompeii. The fine details of the plaster cast showed the different types of clothing and facial expressions. The victims skeletons also provided information on health, age, sex and living standards. These methods proved to be a reliable source of evidence. The city plan shows us the different types of buildings that they had and how they were situated. The different buildings include; Forums - political debates and religious ceremonies were preformed, Basilica (town hall) for legal and government business, Temples were dedicated to their Gods, Amphitheatres Blood sport stadiums, Theatres held drama performances, Palaestra (gym) For physical fitness, Thermae (public baths) Cleansing and socializing atmosphere, and Tombs and Commercial areas for the markets and stores. The streets and roads divide the town into rectangular blocks called insulae. The narrow alleyways, roads and building ruins can still be seen in Pompeii. The three types of Pompeii houses were the atrium house (simplest house), atrium peristyle (verandahs and porches), villas (expensive and luxurious) and apartments (rented rooms). The excavation of the Tragic Poets house showed that it was renovated by a wealthy owner in the last years of Pompeii. ...

Companys IT & Competitive Advantage Essay Example | Topics and Well Written Essays - 3500 words

Companys IT & Competitive Advantage - Essay Example The organizations and companies are under constant pressure of competition. First this competition was just with the local industries, organizations and companies, but as the world is coming closer and closer every day and is turning into a global village, the circle of competition has grown from local platform to the global platform. Now the firm of one country tends to compete with the firms of not only their own country but also the firms of other countries of the world.The use of information technology makes it a bit easier to compete. It makes them flexible and feasible, generates better productivity and yields better outcomes. It helps them far more than expected and is thought of in earning better profits, in fact even creating new sources of profits, which might include services like online business opportunities etc described by C Kenneth Allard (2004) such thatInformation technology can help a company to be less identifiable with all other related firms and be more differen t. It in fact can make a company stand out among the other competitors and can help it make and, more importantly, leave a mark of its own in the minds of the consumers, which goes a long way to help a company in achieving and maintaining competitive advantage.This is one of the major reasons why the statistics show a constantly increasing rate of growth in the part of the expenditure made on IT and its implications. In some of the areas, IT comprises as much as 50% of total capital investments.

Ottoman Empire Essay Example | Topics and Well Written Essays - 1000 words - 1

Ottoman Empire - Essay Example The great disruption of the Ottoman economy was caused by the inflation due to the inflow of gold, silver, and other precious metals from the New World. "The Ottomans experienced the impact of the increased flow of precious metal before the 17th century. The flow of American silver probably began to affect the Ottoman economy by 1580. While the first effects of the New World silver were experienced in Ottoman Anatolia by 1580, the most significant response of Ottoman prices occurred between 1585 and 1606." (Bulut, 65) Therefore, the effect of gold and precious metals on the economy as well as social life of the Ottoman Empire is important to recognize and this paper makes a reflective analysis of the impact of precious metals on the Ottoman Empire. In a profound exploration of the impact of precious metals on the Ottoman Empire, it becomes lucid that the Empire was self-sufficient with regard to the availability of various precious metals. The political supremacy over the neighboring nations offered an important opportunity to the Ottomans to import metals which were not available in the Empire. Thus, it may be noted that grain and other foodstuffs, iron, copper or cloth for everyday use were manufactured in sufficient quantities with the territories of the Empire. The Ottomans were largely autocratic in terms of war materials and the other precious metals were imported into the Empire. The Ottoman political elite and the better-off townsmen consumed Indian spices and Yemini coffee. "All these Indian and Yemini imports led to a significant outflow of silver and gold, but precious metals were mined on Ottoman territory only in very moderate quantities. Although by the middle of the sixteenth century, most of Hungary was in the hands of the sultans, the mines that had supplied raw materials for the country's famous fifteenth century gold- and silversmiths remained outside Ottoman control and, moreover, were less productive than they had once been." (Faroqhi, 14) Therefore, the impact of precious metals on the Ottoman Empire is unquestionable and the introduction of gold and precious metals to the Ottoman Empire had a vital influence on their economy as well as social life. It is important to realize that the introduction of gold and precious metals had a vital impact on the Ottoman economy. Significantly, the introduction of various precious metals played a major influence on the European economy. Similarly, gold and precious metals played a major impact on the various aspects of the economy and these metals contributed to the increase in prices in the Ottoman Empire towards the end of the sixteenth century. "The great change in the European economy wrought by all this precious metal also had its effects on the Ottoman Empire. Since European merchants traded in Ottoman territories, some silver from the New World found its way to the Ottoman lands. The Ottoman rulers encouraged the import of these coins. The Ottomans could not find a way to use these coins as investments in their economy. They tried to keep this money within the country. As an important factor the import supplies of silver contributed to the inflation." (Bulut, 65) Thus, a reflective an alysis of the various aspects of the Ottoman economy confirms that the impact of gold and preci

Catholic And Protestant Baroque Overview

Catholic And Protestant Baroque Overview The word Baroque was first applied to the art from the period of the late 1500s to the 1700s, by critics in the late nineteenth century. The word Baroque in no way though, seems to describe the art movement. In Italian the word Baroque means Tortuous medieval pedantry and Portuguese for Deformed pearl. Regardless, Baroque , is primarily associated with religious tensions within Western Christianity, spanning a 200 year time span. A divide had began in the Catholic church and the outcome would see the creation of a new offset of Christianity. In 1517 Martin Luther posted his 95 theses on the door of the Wittenberg Cathedral. By 1520, Luther has been excommunicated and began a protest movement against the Catholic church. This protest movement would later be called Protestantism. Luther believed that the layperson, or someone who is not a clergyman, was being distanced from the church and understanding the scripture. He advocated hymns as a better way to communicate hard to understand mysteries of the church and made music an integral part of Protestant church services (evansville.edu). The Catholics in response convened the Council of Trent to discuss and consider Luthers Theses. In 1563 the council finished their work and made art an integral part of the process of helping the layperson to understand the scripture. Through a visual and emotional display of the church through art, they hoped to influence as many people as possible to remain faithful to the Catholic Church. This was not only through the funding of paintings, but also in the commissioning of churches with enormous domes, swirling forms, huge spiraled columns, multicolored marble and lavish murals. This new program of renewal, or counter reformation, would see the church commission all types of work that would be both doctrinally correct visually appealing, and emotionally appealing. This unique style, later referred to as Baroque, would start in Italy, but as the century progressed the style would make inroads into the Protestant countries. Baroque would become a style in which painters, sculptors an d architects rummage emotion, movement and variety in their works. The Protestant reformation would be a refresher course on the reality of life for the individual. This would change with the advances of the counter reformation, as the mood of middle age art once again found expression. The mystical, the abstract and the dominance of color over form would serve as an emotional stimulus for everyday people to reconsider the advantage of Catholicism. For some artists this transformation would be easy. The reformation had caused a separation between artist and church, which in turn caused a financial crunch on the already meager living of the typical painter (rice.edu). This new visually intense form of expression took on very different characteristics in different regions of Europe. This is largely in part due to the topics covered at the Council of Trent. In Northern Europe and largely in the Netherlands, the Baroque movement took on a significantly non secular undertone. This is a result of the predominance of the Protestant faith in this region. The advances in techniques are still noticeable in different examples of the Baroque era from Protestant artists, however due to the nature of the Protestant practice the messages are drastically different. Contrary to Catholics of the time, who worshiped in lavish sanctuaries with elaborate services for mass, the Protestants experienced their faith internally. This meant that they enjoyed simple churches and took their religious messages from the bible itself, instead of the imposing Catholic Church (csun.edu). The Protestants had their Reformation and the Catholics had their Counter Reformation. While the Catholics needed to attract viewers with religious art that more significantly impacted onlookers, Protestants would respond with a lack of religious art. Instead they would concentrate, for example, on genre paintings that taught their viewers moral lessons. Compositions from both tended to have more open space. Objects and scenes were in a state of motion to create emotion. They either came out as the viewer or something could fall on the viewer. The motion of these pieces was created through circular or diagonal compositions. On going at this time was a general knowledge that the Earth was in motion, which was a giant conceptual leap to show this aspect of life in art. Some characteristics of baroque was an attention to exact, naturalistic details. Spatial values, such as deep space, fooling the eye and objects being pushed into the viewers space. An integration of architecture, sculpt ure and painting. Stories being portrayed would seem to happen in the space and time of the viewer (smcvt.edu ). One of the more influential Catholic Baroque artists of the time was Caravaggio. His influence on the art of his century would be significant. One of Caravaggios masterpieces is The Crucifixion of Saint Peter (albany.edu). In it three dishonest characters, their faces concealed or turned away, are drawing, dragging and thrusting the cross to which Peter is nailed by the feet with his head put down. The Saint Peter, as portrayed by Caravaggio, cannot be called a martyr. Instead he is an old man, suffering from pang and in fear of death. The obscure, impermeable background attracts the viewers gaze back again to the keenly illuminated people, who remind us that the death of the apostle did not look like a heroic drama, but a hapless and humiliating execution. In Caravaggios The Conversion of Saint Paul (albany.edu), Saint Paul is seen rolling around in the dirt of an old stable This attacked both the prevailing ideas about painting as well as offending the religious sensibilities of the church. Caravaggio sought a way to bring the Catholic faith down from the heavens and make it relevant to the everyday man on the street. Through his paintings he wanted to create a convincing copy of the optical world and use this as a vehicle of spiritual meaning. His so called dark manner would be influential to all later Baroque painting. One of the few northern Europe protestant artists to create religious paintings was Rembrandt. He was from protestant Holland and is well remember for creating about 60 self portraits. Biblical subjects accounted for one third of his entire production. This is quite rare for the Protestant North of the seventeenth century, for church patronage was nonexistent and religious art was not regarded as important. His famous painting, The Return of the Prodigal Son (tiu.edu), was finished shortly before his death in 1669. There is a sense of great tragedy as you gaze upon this work. The contrast between the light and the dark, the two mysterious figures that appear dimly in the background, the woman behind the father and the dishevelment of the younger brother, all contribute to this sense of tragedy. The Baroque styles of Protestant Northern Europe and predominantly Italian Catholic artists are stylistically similar. This comes as no surprise since the techniques originated in Italy. The most notable distinction between the two styles is not the artistic tendencies, but rather the motives or message being conveyed through the paintings. The Catholic Baroque style included vivid imagery that displayed vigorous emotion and incited emotion in those that viewed it. While the Protestant Baroque style used many similar, if not the same techniques; portrayed uniquely intrinsic emotion felt by the artist and brought about emotion not so much through dramatic stimulation, as through sympathetic understanding. The fundamental difference between Protestant Baroque and Catholic Baroque is that Protestant Baroque painters convey subjects in ways that portray the artists personal emotion; while Catholic Baroque painters conveyed visually entertaining and captivating imagery in order to evoke e motions from the person viewing the image.

Mla Exercise

Exercises Using MLA Works Cited Source: Arkin, Marian, and Cecillia Macheski. Research papers: A Practical Guide. Boston: Houghton-Mifflin Company. 2001. Directions: Using the following information, create a Works Cited entry for these sources. Important words have been capitalized. Remove or change the capitals and use MLA style of capitalization and punctuation. After you have the entry for each source, arrange them in alphabetical order as they would appear at the end of a research paper on the Works Cited page. 1. The title of the book is W. E. B. DUBOIS. The book was published in BOSTON in 1986 by TWAYNE Publishers.The author’s name is MARABLE MANNING. Manning, Marable. W. E. B. Dubois. Boston: Twayne, 1986. Print. 2. An article entitled SIX CENTS AN HOUR was written by SYDNEY H. SCHANBERG. This article was published in LIFE magazine. It appeared in the JUNE 1996 issue on pages 38-46. Schanberg, Sydney H. â€Å"Six Cents an Hour. †Ã‚  Life  June 1996: 38-46. Prin t. 3. MARY LAWLER’S book called MARCUS GARVEY was published in NEW YORK by CHELSEA HOUSE publishers in the year 1988. Lawler, Mary. Marcus Garvey. New York: Chelsea House, 1988. Print. 4. This book was published by PRINCETON UNIVERSITY PRESS, which is located in PRINCETON, New Jersey.It was written my Myron Weiner. Wiener’s book was called THE CHILD AND THE STATE IN INDIA: CHILD LABOR AND EDUCATION POLICY IN COMPARATIVE PERSPECTIVE. It appeared in 1991. Weiner, Myron. The Child and the State in India: Child Labor and Education Policy in Comparative Perspective. Princeton: Princeton UP, 1991. Print. 5. An article entitled INDIA BATTLES ILLEGAL CHILD LABOR appeared in the newspaper the CHRISTIAN SCIENCE MONITOR. It was published on November 8, 1995 and the article begins on page 9. â€Å"India Battles Illegal Child Labor. †Ã‚  Christian Science Monitor  8 Nov. 1995: 9. Print. 6.This article came from Ebscohost from NCLive. The author’s name is SALLY RICHF IELD. The article name is HOW HIGH THE DOVE FLIES. The article’s volume and issue number are 1. 5. The date of online publication is August 10, 2000. The name of the online journal is BIRDS ARE US. The sponsor of the site from which you got this information is Stanly Community College in Albemarle, NC. The date of access is November 2, 2001 Richfield, Sally. â€Å"How High the Dove Flies. †Ã‚  Birds Are Us  1. 5 (2000): n. pag. NC Live. Web. 2 Nov. 2001. 7. This article came from a scholarly journal the pages issues separately.The author’s names are RODNEY MONTGOMERY and MAUREEN FOSTER. The article’s name is DYSFUNCTION IN UNIVERSITY MANAGEMENT IN NEW SOUTH WALES IN 1947 AND 1983. The name of the journal was THE JOURNAL OF HIGHER EDUCATION MANAGEMENT. The issue number is 43. 2. The year of publication is 1989 and the pages run from page 6-17. Montgomery, Rodney, and Maureen Foster. â€Å"Dysfunction in University Management in New South Wales in 1947 a nd 1983. †Ã‚  Journal of Higher EducationManagement  43. 2 (1989): 6-17. Print. 8. This source comes from a CD-ROM. Its editor is SONALD SHEEHY. The name of the CD-ROM is ROBERT FROST: POEMS, LIFE AND LEGACY.This CD-ROM was published in NEW YORK by HOLT in 1997. Sheehy, Sonald. ed. Robert Frost: Poems, Life, and Legacy. New York: Holt, 1997. CD-ROM 9. This source is a personal or professional web site. The authors are STEVE SPANOUDIS, BOB BLAI, and NELSON MILLER. The site’s name is POET’S CORNER. The publication date is February 2, 1998. The user’s date of access is February 4, 2000. The URL is http://www. geocities. com/. apanoudi/poems. Spanoudis, Steve, Bob Blai, and Nelson Miller. Poet's Corner, 2 Feb. 1998. Web. 4 Feb. 2000. 10. This source is an online book. The original date of publication of the book is 1846.The author’s name is CHARLOTTE BRONTE. The name of the book is JANE EYRE. The user access date is March 16, 1999. The site is gopher. vt. edu:10010/02/50/1. Bronte, Charlotte. Jane Eyre. 1846. Web. 16 Mar. 1999. Works Cited Bronte, Charlotte. Jane Eyre. 1846. Web. 16 Mar. 1999. â€Å"India Battles Illegal Child Labor. †Ã‚  Christian Science Monitor  8 Nov. 1995: 9. Print. Lawler, Mary. Marcus Garvey. New York: Chelsea House, 1988. Print. Manning, Marable. W. E. B. Dubois. Boston: Twayne, 1986. Print. Montgomery, Rodney, and Maureen Foster. â€Å"Dysfunction in University Management in New South Wales in 1947 and 1983.   Journal of Higher EducationManagement  43. 2 (1989): 6-17. Print. Richfield, Sally. â€Å"How High the Dove Flies. †Ã‚  Birds Are Us  1. 5 (2000): n. pag. NC Live. Web. 2 Nov. 2001. Schanberg, Sydney H. â€Å"Six Cents an Hour. †Ã‚  Life  June 1996: 38-46. Print. Sheehy, Sonald. ed. Robert Frost: Poems, Life, and Legacy. New York: Holt, 1997. CD-ROM Spanoudis, Steve, Bob Blai, and Nelson Miller. Poet's Corner, 2 Feb. 1998. Web. 4 Feb. 2000. Weiner, Myron. The Child and the State in India: Child Labor and Education Policy in Comparative Perspective. Princeton: Princeton UP, 1991. Print.

Ultrahigh Bypass Ratio Propulsion Systems Studied

celerate a large mass of air by a small amount than to accelerate a small mass of air by a large amount. In a turbofan jet engine, the airflow rate that bypasses the engine core divided by the airflow rate that travels through the core is called the bypass ratio. The bypass ratio, or BPR, is one of the key indicators of turbofan engine efficiency. The desire for better fuel efficiency has resulted in the evolution of commercial aircraft gas turbine engines from early turbojets (BPR=0), to low bypass ratio, first generation turbofans (BPR=1-2), to today's high bypass ratio turbofans (BPR=5-10).Now, ultrahigh bypass ratio (UHB) turbofans (BPR=10-20) are being designed for a next-generation, intracontinental commercial aircraft. This aircraft could enter service as early as 2020. The Intercenter Systems Analysis Team, consisting of systems engineers from Glenn and Langley Research Centers, conducted an analytical feasibility study of UHB turbofans for NASA's Fundamental Aeronautics Prog ram. With a little math, it can be shown that fuel efficiency increases along with BPR.The engine core, however, has a limited supply of power available to propel the bypass air stream, so it can be difficult to simply increase BPR arbitrarily. One path to UHB engines and better efficiency is to reduce the fan's pressure ratio, which lowers the fan's power requirement and allows higher BPRs. Our analysis team designed nine notional UHB propulsion systems for this new aircraft along a parametric design sweep of fan pressure ratio. Using advanced computational tools, these propulsion systems were ana